14 Best Movies From France On Fubo

Autobiographical in nature, 120 BPM is French screenwriter Robin Campillo's first feature film. It revolves around the Parisian chapter of the AIDS advocacy group ACT UP, which Campillo was a member of in the early 1990s, and the love between Nathan, the group's newest member, who is HIV negative, and Sean, one of its founding and more radical members, who is positive and suffers the consequences of contracting AIDS. Using fake blood and spectacular direct action, ACT UP advocated more and better research of treatment, prevention, and awareness. This was at a time when many, implicitly or explicitly, viewed AIDS as a gay disease, even as a punishment for the gay community's propensity to pleasure and partying. The latter is reflected by the film's title, 120 bpm being the average number of beats per minute of a house track. Arnaud Rebotini's original score echoes the ecstasy-driven house music hedonism of the time with some effective original cuts, albeit with a melancholic streak. Because, for all the love, friendship, and emotion of the ACT UP crew that BPM so passionately portrays, anger and sadness pervade the lives of these young people as the lack of effective treatment threatens to claim the lives of their loved ones.

Genre: Drama

Actor: Adèle Haenel, Aloïse Sauvage, Antoine Reinartz, Arnaud Valois, Caroline Piette, Catherine Vinatier, Coralie Russier, Emmanuel Ménard, Félix Maritaud, François Rabette, Marco Horanieh, Naëlle Dariya, Nahuel Pérez Biscayart, Pascal Tantot, Saadia Bentaïeb, Sabrina Aliane, Samuel Churin, Simon Guélat, Théophile Ray, Yves Heck

Director: Robin Campillo

Rating: Not Rated

Francois Cluzet, who you may remember from The Intouchable, plays a man whose wife is killed and is accused of murdering her. To make matters even more confusing, signs that his wife is actually still alive surface. This well thought out thriller is at all times the furthest thing from boring and has, among other great components, well crafted chase scenes as the protagonist looks for 8 years of unanswered questions.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Mercouroff, André Dussollier, Anne Marivin, Brigitte Catillon, Christof Veillon, Danièle Ajoret, Dorothée Brière, Éric Naggar, Eric Savin, Florence Thomassin, François Berléand, François Cluzet, Gilles Lellouche, Guillaume Canet, Hugo Sélignac, Jalil Lespert, Jean Rochefort, Jean-Noël Brouté, Jean-Pierre Lorit, Joël Dupuch, Kristin Scott Thomas, Laurent Lafitte, Ludovic Bergery, Marie-Josée Croze, Marina Hands, Martine Chevallier, Mikaela Fisher, Nathalie Baye, Olivier Marchal, Philippe Lefebvre, Samir Guesmi, Sara Martins, Thierry Neuvic

Director: Guillaume Canet

Rating: Unrated

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Anders Danielsen Lie, Andrea Bræin Hovig, Erlend Mørch, Fredrik Stenberg Ditlev-Simonsen, Henrik Mestad, Ingrid Vollan, Kristine Kujath Thorp, Kristoffer Borgli, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

When categorizing Lars von Trier's oeuvre, critics speak of a "Depression Trilogy" bookended by Antichrist and Nymphomaniac, but Melancholia is the one that really embodies the concepts and worries nested at the heart of this project. The Danish director may be known for his provocative approach to filmmaking and disregard of taboos, but with this film, he makes room for vulnerability. On the character of Justine (Dunst) he places the weight of the world, only after allowing her to be weak, small, and socially unacceptable at her own wedding celebration. A rather subversive decision, but vesting these expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Genre: Drama, Science Fiction

Actor: Alexander Skarsgård, Brady Corbet, Charlotte Gainsbourg, Charlotte Rampling, Christian Geisnæs, Jesper Christensen, John Hurt, Katrine A. Sahlstrøm, Kiefer Sutherland, Kirsten Dunst, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble cast is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis' eyes and feel his pain.

Genre: Drama, Music

Actor: Adam Driver, Alex Karpovsky, Benjamin Pike, Bonnie Rose, Bradley Mott, Carey Mulligan, Charlotte Booker, Declan Bennett, Ethan Phillips, F. Murray Abraham, Frank Ridley, Garrett Hedlund, Helen Hong, Ian Blackman, Ian Jarvis, Jack O'Connell, Jake Ryan, James Colby, Jeanine Serralles, Jerry Grayson, John Ahlin, John Goodman, Justin Timberlake, Marcus Mumford, Max Casella, Mike Houston, Oscar Isaac, Ricardo Cordero, Roberto Lopez, Robin Bartlett, Sam Haft, Stark Sands, Stephen Payne, Steve Routman, Susan Blommaert, Sylvia Kauders

Director: Ethan Coen, Joel Coen

Rating: R

There isn't a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film's painterly surfaces and soft silhouettes. But it's not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

Genre: Adventure, Animation, Drama, Family

Actor: Audrey Sablé, Boris Rehlinger, Bruno Magne, Christa Théret, Féodor Atkine, Juliette Degenne, Rémi Bichet, Stéphane Pouplard, Thomas Sagols

Director: Rémi Chayé

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

In Fatih Akin’s In the Fade, Katja is seeking justice after the killings of her Turkish husband and their young son in a terrorist bomb attack. Diane Kruger in the role of Katja delivers a powerful and rather grueling performance, for which she was awarded Best Actress at Cannes Film Festival. Her grief is vivid and forces viewers to bear witness to her inescapable pain. In the Fade also won the Golden Globe Award for Best Foreign Language Film, beating astonishing films such as Andrey Zvyagintsev’s Loveless. This moving story about a fearless woman determined to take justice into her own hands to fight the cruelty of others delivers a message that needs to be heard.

Genre: Crime, Drama, Thriller

Actor: Adam Bousdoukos, Aysel Iscan, Denis Moschitto, Diane Kruger, Edgar Selge, Hanna Hilsdorf, Henning Peker, Johannes Krisch, Karin Neuhäuser, Laurens Walter, Numan Acar, Samia Chancrin, Şiir Eloğlu, Ulrich Brandhoff, Ulrich Tukur, Uwe Rohde, Yannis Economides

Director: Fatih Akin

Rating: R

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha