5 Best Movies From China On Mubi India

Staff & contributors

Called a masterpiece by many and featured on many best-of-the-21st-century lists, Director Wong Kar-wei has created a thing of singular beauty. Every frame is an artwork (painted, as it were, with help of cinematographer Christopher Doyle) in this meticulously and beautifully crafted film about the unrequited love of two people renting adjacent rooms in 1960s Hong Kong. These two people, played by Tony Leung and Maggie Cheung, struggle to stay true to their values rather than give in to their desires, while they both suspect their spouses of extramarital activities. The flawless acting, stunning visuals, and dream-like beauty of In the Mood for Love perfectly captures the melancholy of repressed emotions and unfulfilled love. The cello motif of Shigeru Umebayashi's main theme will haunt you long after you finished watching.

Genre: Drama, Romance

Actor: Chan Man-Lei, Charles de Gaulle, Cheung Tung-cho, Chin Tsi-Ang, Joe Cheung, Joe Cheung Tung-Cho, Julien Carbon, Kelly Lai Chen, Laurent Courtiaud, Maggie Cheung, Mama Hung, Paulyn Sun, Ping Lam Siu, Rebecca Pan, Roy Cheung, Siu Ping-lam, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tsi-Ang Chin

Director: Wong Kar-wai

Rating: PG

Many things clash in this beautifully layered, semi-autobiographical film of American director Lulu Wang: cultures, morals, and emotions. The result is a type of comedy that is complex and bittersweet⁠—and based on a true lie: this is the story of a Chinese grandma whose family won't tell her that she is fatally ill. Instead, they organize a fake wedding in China, where everyone gets together to bid a farewell to the unwitting matriarch (played by Zhao Shuzhen). The fake wedding is, in fact, a premature funeral for a person unaware that she is going to die. Played by rapper and comedian Awkwafina, Billi, a New-York-based Chinese-American with a complicated relationship to China, embodies the cultural and moral question at the heart of this story: is it right or wrong not tell grandma? It is thanks to Wang's deft writing and Awkwafina's outstanding performance that The Farewell homes in on answers without ever being melodramatic. Warm, honest, and beautiful.

Genre: Comedy, Drama

Actor: Aoi Mizuhara, Awkwafina, Chen Han, Diana Lin, Gil Perez-Abraham, Hong Lu, Ines Laimins, Jiang Yongbo, Jim Liu, Lu Hong, Shuzhen Zhao, Tzi Ma, X Mayo, Yang Xuejian, Zhang Jing, Zhao Shuzhen

Director: Lulu Wang

Rating: PG

“It is better to live miserable than to die happy,” or so says one of the characters in Jia Zhangke’s anthology film A Touch of Sin. On its surface, the “sin” referenced in the title might pertain to the acts of murder that the four protagonists commit, but in the context of China’s rapidly changing capitalist landscape (a theme explored in the director’s other pictures), it reveals itself as a malady shared by Chinese laborers treated as dispensable resources by the powers-that-be. Murder, then, is explored as an extremity, the effectual breaking point of people no longer able to contain the injustice within themselves. Beneath the splatters of blood is a plea for empathy and understanding, at once remorseful and full of conviction.

Genre: Action, Crime, Drama

Actor: Baoqiang Wang, Han Dong, Jiang Wu, Li Meng, Lu Liu, Luo Lanshan, Qiang Wang, Wang Hongwei, Zhang Jiayi, Zhang Jin, Zhao Tao

Director: Jia Zhangke

Once banned by Chinese censors, Suzhou River depicts love and obsession amidst the gritty, urban underbelly of Shanghai. As the film is portrayed through an anonymous videographer, seen only by his hands, it’s easy to fall in love as he does, with the mesmerizing Meimei (Zhou Xun), performing as a mermaid in a dive bar. However, he can’t seem to trust her, as she flits in and out of his life, with no clear notice. Likewise, the tragic romance told by motorcycle courier Mardar can’t be trusted, given that the river’s inhabitants warped it into folklore. Faces can’t even be trusted, especially with the double casting of actress Zhou Xun as Meimei and as innocent rich daughter Moudan. Because of these contrasts and its ambiguity, Suzhou River sweeps us into an alluring, mysterious tale, but reminds us not to get caught by the current.

Genre: Drama, Romance

Actor: Jia Hongsheng, Nai An, Yao Anlian, Zhou Xun

Director: Lou Ye

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R