100 Best Movies on Spectrum on Demand
Beasts of the Southern Wild (2012)
Whether due to poverty, personal choice, or simply knowing no other way, there are people living by the river, forgoing the comforts and the cages of modern urban living. Not many films depict these communities, but seven years after Hurricane Katrina, Beasts of the Southern Wild shares a rare depiction of their lives in the outskirts. It’s a bit meandering, but it’s unique, with a folkloric feel, as the young heroine Hushpuppy full of awe towards the natural world their Cajun community is bound to, while also with a curiosity towards her missing mother and an awareness of how precarious their lives are that slowly grows through the film. Beasts of the Southern Wild is a surprising debut of a community rarely depicted.
Toni Erdmann (2016)
Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.
A Ghost Story (2017)
Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.
Lean on Pete (2017)
A24 + Steve Buscemi = ?.
In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland.
Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family.
This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”
Uncut Gems (2019)
A crazy, anxiety-inducing thriller that turns Adam Sandler into a thrill-generating machine, which in its own speaks volumes about the rhythm of this movie. It follows a jeweler who gets himself in trouble with what feels like all of New York - a gang, Kevin Garnett (the NBA player), other jewelers, his family, odd twins that appear out of nowhere - everyone. This all happens in the backdrop of him feeling he has “hit big” and is on the verge of receiving a lot of money.
If you watched Good Time, you know what to expect from directors Safdie brothers: excruciating tension that keeps building up when you thought it wasn’t possible. And that might be the only problem with Uncut Gems; the tension doesn't feel that different from Good Time, and having watched one you can guess where the other one is going.
The Constant Gardener (2005)
Ralph Fiennes plays a mild-mannered British diplomat in Kenya who is stunned by the news of his wife Tessa’s (Rachel Weisz) sudden death while in the company of another man. He sets off to investigate the suspicious death––and secret life–-of his late wife, within a tangle of personal betrayals, political threats, and corporate conspiracies. This film presents an exquisite contrast between Justin’s (Fiennes) gentle, contemplative demeanor and the progressively gripping details he uncovers; between rapturous romanticism and darkly corrupting interests. It’s a touching, smart, and suspenseful feast of a movie.
Love Jones (1997)
In this romance from 1997, a photographer and a poet meet in an upscale nightclub in Chicago.
They quickly get together and connect on music, poetry, and photography, but Nina, the photographer, decides to go to New York to mend her relationship with her ex-fiance.
It’s so well-acted, funny, and because it’s been enough time that this has become noticeable, a great depiction of big-city life in the 90s. There is smoking inside, riding a motorcycle without helmets, and top-notch fashion.
The producers said they wanted to make “a contemporary film about African-American life that did not deal with guns and drugs,” and probably because they didn’t make compromises, the film was a commercial failure. In recent years, however, it has been quietly growing into a cult classic.
In the Heights (2021)
Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.
Land of Mine (2015)
Taking place entirely on beachside farmlands in Denmark, Land of Mine takes a particularly intimate—and visually distinct—approach to war. The fighting may be over, but the film remains a tense and emotionally distressing, with all the pain and violence being carried over onto these German boys being forced to clear the beaches of live explosives with their bare hands. The relationship between these young men and their vengeful Danish commanding officer may progress a little quickly for some, but their volatile bond only emphasizes that rage isn't meant to be felt forever, and that war is a destructive cycle that eventually needs to come to an end.
Lady Macbeth (2016)
Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.
When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.
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