Hoopla may be more known for audiobooks, but the 100%-free platform also has hundreds of top-notch movie titles on offer. Whether you’re looking to get lost a sci-fi blockbluster, psychological thriller, or just a bit of light fun, you’ve come to the right streaming platform. Here’s our round-up of the best movies now streaming on Hoopla.
20 Best Movies on Hoopla Right Now
A Man Called Ove (2015)
Based on Fredrick Backman's 2012 best-selling book of the same name, this Swedish hit comedy-drama introduces us to Ove, an elderly man who feels like his life is over. After losing his wife, the short-fused retiree spends his days grumpily enforcing block association rules in his neighborhood. He is your typical unhappy, old neighbor, somebody you would try to avoid. One new family does not give up and befriends Ove, played by an impeccable Rolf Lassgård, despite his best intentions to put them off. As the plot unfolds, however, you learn more about the story behind the man, and, in classic walk-a-mile-in-his-shoes fashion, start to find him rather loveable. After all, nobody is born grumpy and cynical. Naturally, this is a sweet and sentimental film. But an amazing lead performance and a charming, darkly funny script rescue it from drifting too far off the shore. The result is a wholesome, fun, and thoughtful dramedy with a beautiful message.
Gook (2017)
Named after a slur for people of Asian descent, this 2017 film put Justin Chon on the map as a director. More than that, he also starred as the main lead in this raw and uncompromising period drama about Asian-Americans and the LA riots in 1992. Shot completely in black and white, it tells the story of Eli, a scrawny Korean-American, who runs his family shoe store with his brother, Daniel (David So), in several vignettes. They strike up an unlikely friendship with Kamilla (Simone Baker), a black kid from around the way, whose family is not happy with her hanging out with the two brothers. Amidst the ubiquitous violence in LA at the time, the Rodney King riots as well as a tragic shooting of a black teenager by a Korean convenience store owner, it shines the light on America's intra-minority race relations and the more unseen stories behind them. A topic that has come back to haunt America in the 2020s. The film is fierce as it is funny, harsh as it is playful. Uplifting and unsettling.
McQueen (2018)
If you don't know much about him or high fashion, don't fret because this intelligent and informative film by Ian Bonhôte and Peter Ettedgui will chaperone you into this world with ease. Simply titled McQueen, this documentary is a poignant portrait of the British fashion icon that goes to great lengths to do him justice. With a reputation for shock tactics and controversy, McQueen grew from humble beginnings in a British council flat with three sisters into a world-famous enfant terrible of the 1990s for his quote unquote unwearable fashion and extravagant shows. Music fans might recognise his designs from Bjork's album Homogenic or the music video to her song Alarm Call. Despite the documentary's scope and depth, this is the type of film that leaves you wanting more and you might find yourself browsing through Wikipedia and YouTube for another hour to stay in the vibe. Alexander McQueen died of suicide in 2010.
The Guilty (2018)
Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.
Fireworks Wednesday (2007)
There are two auteur directors that we recommend more than anyone else on this site. One is Hirokazu Koreeda, the Japanese master of intricate drama, the other is Asghar Farhadi. Mr. Farhadi is an Oscar-winning, Iranian filmmaker and one of the most recognisable directors out there. His third film, Fireworks Wednesdays, paved the way for him to become one of the hidden champions of international cinema. As is often the case with the stories he tells, the film portrays the life of a couple in turmoil, Mozhdeh and Morteza Samiei, played by Hedye Tehrani and Hamid Farokhnezhad. She suspects him of cheating on her with their neighbor, a beautician, and sends the maid, a soon-to-be bride named Roohi, to the salon to spy on her. When Roohi takes matters in her own hands, the couple can't help but watch things spiraling out of control. This happens against the backdrop of Chaharshanbe Suri, an Iranian holiday celebrated with fireworks on the Wednesday before the Iranian New Year, hence the title. Will it make for an explosive ending? From what you have heard so far, this could easily be melodramatic, but Fahradi is too good. He's very, very good.
Corpus Christi (2020)
Poland's nomination for Best Foreign Language Film at the 2020 Academy Awards may have lost to Parasite, but director Jan Komasa's film is still utterly compelling. The crazy sounding premise is inspired by true events: after having had a transformative experience in jail, an ex-convict, played by the wiry, blue-eyed Bartosz Bielenia, decides he wants to become a priest. When he is told that his criminal history prohibits it, he goes down the path that got him into trouble in the first place and just pretends he is. Apparently, he does so quite convincingly—and serves the community well, which is collectively grieving for the victims of a tragic accident. For all his charisma, there's no way not to root for the crooked clergyman conning his way to the top. The complex character at the heart of Corpus Christi is refreshing and three-dimensional, and the smart writing of the film excels at exploring they grey areas of truth and religion. The ending, too, circumvents the soppy and the melodramatic. Thought-provoking European drama.
Aftersun (2022)
In Aftersun, Sophie recalls a holiday she took as an eleven-year-old in the ‘90s with her father. Video recordings help jog her memory, but she’s looking for more than just a blast from the past. Rather, she seems to be seeking answers to fill in the gaps between who she knew as her father and who he really was: an immensely nice but deeply troubled man.
At first, Aftersun looks like a simple but beautiful story about father and daughter bonding over the course of a summer trip. But within minutes, it’s clear that there are layers to Aftersun, emotionally and editorially, that aren’t always explained but nonetheless enrich the movie with profound meaning. Stirring, complex, and surprisingly inventive, it’s not surprising that Aftersun is one of the most beloved films of the past year.
To Be and To Have (2002)
This gorgeous documentary opens on the snowy fields of its rural French setting, but the single classroom it spends much of its time in couldn’t be warmer or more inviting. That comforting atmosphere — which the film imbibes, too — is all thanks to the kindness and patience of Monsieur Lopez, the man responsible for the education of all of the village’s kids (up to age 11). Chronicling the final year of his career before retirement, this doc shares the instinctive empathy its chief subject has for his pupils and, accordingly, shoots them quite simply, trusting that the high drama of their little lives is enough to sustain the film.
And it is: from the cheeky antics of happy-go-lucky four-year-old Jojo to the crippling anxiety of older kids grappling with parental illness and the terrifying move to middle school, we’re plunged deep into a full spectrum of raw emotion. Inspiringly, Monsieur Lopez doesn’t just teach the kids maths and spelling — he also gently coaches them in off-syllabus skills, like talking about feelings and reconciling differences (even turning a fraught relationship between two boys into loyal friendship by the end of the year). There’s so much to learn from him and his perpetually wonderstruck kids here.
The Broken Circle Breakdown (2012)
Bittersweet like Belgian chocolate, this is a coming-home movie. It will leave you raw and empty as well as full of life, and it will most certainly have you appreciate the mournfulness of bluegrass music. Based on a play co-written by Johan Heldenbergh, who also stars as Didier, the male lead, this is intricately written, thoughtfully directed, viscerally acted cinema. Bluegrass enthusiast and band leader Didier falls passionately in love with Elise, a spirited tattoo artist. They sing together, start a life together. But when their little girl falls gravely ill, everything changes. Because this gem of a film by director Felix van Groeningen excels at creating intimacy and empathy between us viewers and this beautiful family's fate, you will feel everything you see. Incredibly well-made and gut-wrenching drama.
God’s Own Country (2017)
You might call Francis Lee's spellbinding debut a Call me By Your Name without the privilege and pretentiousness, and we think it's a better movie because of it. God's Own Country tells the story of Johnny Saxby (Josh O'Connor), a farmer's son who is trapped working on the family farm, who dulls his frustration and misery with binging at the pub and aggressive sex with strange men—his true desire is not so much repressed by society's rampant homophobia here, but by his family's emotional callousness. When his strict and icy father suffers a stroke, things get worse for him still. Then, during lambing season, help arrives in the shape of watchful, radiant, and strikingly handsome Romanian seasonal worker, Gheorghe (Alec Secareanu), whose warmth of character and professional competence feels threatening to Johnny at first. But when they withdraw to the hills to repair a stone wall, Johnny's aggression gives way to passion as Gheorghe helps him to feel, to love, and to see beauty in the country around him. God's own country. A beautiful, stirring, and passionate debut!
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