90 Best Movies Based on True Stories

Updated October 30, 2023 • Staff

Every now and then, a movie will come up with such incredible feats and unimaginable plot twists, you’ll swear it couldn’t be more unrealistic. Only in the movies, you think, can two murderers be spared for their vaudeville act or a person’s memory be reset each day. But just before the credits roll, a notice flashes onscreen: the events you just saw, outrageous as they may seem, were based on a true story. 

Sometimes, the announcement doesn’t even make it in the film and you find out, mouth agape, after the fact. Other times, you come in knowing that this is all true—it's a biopic after all, or a docudrama—but you leave in fervent disbelief that any of this transpired in real life. Whatever the case may be, it’s undeniable that it takes a special kind of skill to make a movie out of actual events. So below, we’ve gathered the best movies you can watch right now that have their roots in reality.  

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90.

Yellow Door: ’90s Lo-fi Film Club (2023)

Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

Our staff rating: 7.7/10
Genre: Documentary
Actor: Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Kim Hye-ja, Kim Hyung-oak, Lee Hyuk-rae, Woo Hyeon
Director: Lee Hyuk-rae
Rating: PG-13
89.

Nyad (2023)

After winning Oscars for their documentary work, filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin make their narrative feature debut with Nyad. The move to narrative fiction isn’t a monumental jump for the director duo, whose cinematic documentaries (among them Free Solo and The Rescue) play like nerve-shredding action thrillers and intense human dramas. Nor does Nyad’s subject — another extreme feat of human daring and endurance — make this feel a million miles away from their most famous works.

The most obvious departures from the directors’ documentary strengths — Nyad’s flashbacks and hallucination scenes, for example — do sometimes highlight their newness to narrative filmmaking, however. These scenes feel shallow and therefore disconnected from the movie’s otherwise deeper treatment of its subject, just as the performances dip into outsized cliches at times. Mostly, though, Nyad manages to float above the trap of trying too hard to be an inspirational sports drama thanks to its confrontation of Diana’s prickly personality. This flips the film’s perspective onto that of Diana’s team (including her coach and former girlfriend, played by Jodie Foster), who ultimately suffer the consequences of her stubbornness. That refusal to submit to hagiographic impulses gives the film a documentary-like edge of truth, making the rousing moments here feel genuinely earned.

Our staff rating: 7.7/10
Genre: Drama, History
Actor: Anna Harriette Pittman, Annette Bening, Eric T. Miller, Garland Scott, Jeena Yi, Jodie Foster, Johnny Solo, Karly Rothenberg, Luke Cosgrove, Marcus Young, Rhys Ifans
Director: Elizabeth Chai Vasarhelyi, Jimmy Chin
Rating: PG-13
88.

The Magdalene Sisters (2002)

This is a touching saga based on the plight of the women labelled as "fallen" that the Magdalene Laundries housed in Ireland. The movie grips you by the throat right from the first minute and the sense of injustice to women that characterizes the entire length of the film only rarely eases up to give you room to appreciate the emotional complexities that each individual character represents. The stories of Margaret, Bernadette and Rose and the people they meet inside the Magdalene Laundry will force you to ask time and again during the movie, "Why?" and "Who are they to?". You will share in Bernadette's sense of outrage, in Rose's compassion and Margaret's acute fear of the church, of speaking up and asking for justice. So much so, that you may even find yourself identifying with (or at least understanding) Crispina's questionable grasp on reality. Worst of all, the devout Catholic establishment that this was, hypocrisy and corruption ran through its every vein, adding to the shock and resentment that builds towards the, for the lack of a better word, captors of our protagonists. The Magdalene Sisters is a tribute to one of the forgotten chapters in a long history of injustice to women and an absolutely moving one at that. It does not fail to utterly horrify while it also warms your heart.

Our staff rating: 7.8/10
Genre: Drama, History
Actor: Anne-Marie Duff, Britta Smith, Chris Patrick-Simpson, Daniel Costello, Dorothy Duffy, Eamonn Owens, Eileen Walsh, Eithne McGuinness, Frances Healy, Geraldine McEwan, Mary Murray, Nora-Jane Noone, Peter Mullan, Phyllis MacMahon, Stephen McCole
Director: Peter Mullan
Rating: R
87.

Les Misérables (2020)

This Oscar-nominated French movie is set in Montfermeil, the Paris suburb where Victor Hugo wrote Les Misérables but which today is a rough neighborhood.

Inspired by instances of police violence that happened in 2008, the movie follows a squad of police officers who try to keep the neighborhood under control. Their methods, or lack thereof, inevitably cause things to explode. This is a thriller with a message, one which sometimes feels forced; but the payoff at the end will make you forget all of that.

Our staff rating: 7.8/10
Genre: Crime, Drama, Thriller
Actor: Al-Hassan Ly, Alexis Manenti, Almamy Kanoute, Bonnie Duvauchelle, Damien Bonnard, Djebril Zonga, Djibril Zonga, Issa Perica, Jaihson Lopez, Jeanne Balibar, Ly Lan Chapiron, Marine Sainsily, Nizar Ben Fatma, Romain Gavras, Sofia Lesaffre, Steve Tientcheu
Director: Ladj Ly
Rating: R
86.

By the Grace of God (2018)

In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young.

The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children.

When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

Our staff rating: 7.8/10
Genre: Drama
Actor: Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot, Arnaud Viard, Aurélia Petit, Aurelia Petit, Baya Rehaz, Bernadette Le Saché, Bernard Verley, Chloé Astor, Christian Sinniger, Damien Jouillerot, Denis Ménochet, Denis Ménochet, Éric Caravaca, Fayçal Safi, Fejria Deliba, Frédéric Pierrot, François Chattot, François Marthouret, François Chattot, François Marthouret, Frédéric Pierrot, Hélène Vincent, Hélène Vincent, Jeanne Rosa, John Sehil, Josiane Balasko, Jules Gauzelin, Julie Duclos, Laurence Roy, Lilly Rose Debos, Martine Erhel, Martine Schambacher, Max Libert, Melvil Poupaud, Nicolas Bauwens, Nicolas Bridet, Pierre Lottin, Sébastien Pouderoux, Stéphane Brel, Swann Arlaud, Timi-Joy Marbot, Xavier de Guillebon
Director: François Ozon, François Ozon
85.

Ilo Ilo (2013)

At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home nanny, and her presence (along with other external pressures) brings about a change in the house. Suddenly, everyone becomes a bit more aware of their limitations and potential, and from this, a shared empathy grows. In other hands, this story might come off as bare and forgettable, but under first-time-feature director Anthony Chen’s helm, Ilo Ilo comes to life in rich detail, thoughtful shots, and captivatingly natural performances. Despite its many heartbreaking scenes, the film rarely dwells in sentiment, and it's this restraint that makes Ilo Ilo all the more gripping to watch. 

Our staff rating: 7.8/10
Genre: Drama, Family
Actor: Angeli Bayani, Chen Tian Wen, Chen Tianwen, Jialer Koh, Jo Kukathas, Koh Jia Ler, Tian Wen Chen, Yann Yann Yeo, Yeo Yann Yann
Director: Anthony Chen
Rating: Not Rated, PG-13
84.

Bloody Sunday (2002)

Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Our staff rating: 7.8/10
Genre: Drama, History
Actor: Allan Gildea, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Nicholas Farrell, Tim Pigott-Smith
Director: Paul Greengrass
83.

The King of Staten Island (2020)

If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

Our staff rating: 7.8/10
Genre: Comedy, Drama
Actor: Action Bronson, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Domenick Lombardozzi, Gina Jun, Hank Strong, Jessica Kirson, Jimmy Tatro, Ken Holmes, Kevin Corrigan, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Robert Smigel, Steve Buscemi, Teodorina Bello
Director: Judd Apatow
Rating: R
82.

They’ll Love Me When I’m Dead (2018)

It’s bold to make a film about a legendary icon of cinema, but it’s even bolder to make one about Orson Welles. Best known for making Citizen Kane (universally agreed upon as one of the best movies ever made), Orson Welles is the renegade filmmaker whose works and techniques form the foundation of modern narrative filmmaking today. In his eyes, he asserts that the best films are made by accident. However, armed with archival footage and interviews with those closest to Welles, director Morgan Neville dares to question one of cinema’s biggest geniuses by examining the production of his last unfinished film, the Hollywood satire The Other Side of the Wind. While Welles was undeniably genius - able to inscrutably visualize a film without scripts - it’s easy to see how his tendency to stoke conflict for art could be so self-destructive. This film presents Welles as he is - both a cinema maverick and also an overly demanding artistic tyrant.

Our staff rating: 7.8/10
Genre: Documentary, Drama
Actor: Alan Cumming, Andrés Vicente Gómez, Cameron Mitchell, Cybill Shepherd, Danny Huston, Dennis Hopper, Frank Marshall, Gary Graver, George Stevens Jr., Henry Jaglom, Jeanne Moreau, John Huston, Joseph Cotten, Keith Baxter, Michael Fitzgerald, Neil Canton, Norman Foster, Oja Kodar, Orson Welles, Peter Bogdanovich, Peter Jason, Rich Little, Robert Random, Simon Callow
Director: Morgan Neville
Rating: TV-MA
81.

Emily (2022)

Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Our staff rating: 7.8/10
Genre: Drama, History, Romance
Actor: Adrian Dunbar, Alexandra Dowling, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Sacha Parkinson, Veronica Roberts
Director: Frances O'Connor
Rating: R

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