They say travel is the best way to see the world. I'd say the next best thing would be to transport yourself through international cinema. Most film lists online are dominated by American movies –– which only goes to show how titles that feature a main language other than English tend to get sidestepped by global audiences. But the world is a big place, and there’s more to streaming great films than Hollywood. To reset the balance and help guide your journey through contemporary world cinema, we’ve curated a list of the 100 best foreign-language films to come out in the past decade or so.
The 100 Best Foreign-Language Movies of All Time
To Be and To Have (2002)
This gorgeous documentary opens on the snowy fields of its rural French setting, but the single classroom it spends much of its time in couldn’t be warmer or more inviting. That comforting atmosphere — which the film imbibes, too — is all thanks to the kindness and patience of Monsieur Lopez, the man responsible for the education of all of the village’s kids (up to age 11). Chronicling the final year of his career before retirement, this doc shares the instinctive empathy its chief subject has for his pupils and, accordingly, shoots them quite simply, trusting that the high drama of their little lives is enough to sustain the film.
And it is: from the cheeky antics of happy-go-lucky four-year-old Jojo to the crippling anxiety of older kids grappling with parental illness and the terrifying move to middle school, we’re plunged deep into a full spectrum of raw emotion. Inspiringly, Monsieur Lopez doesn’t just teach the kids maths and spelling — he also gently coaches them in off-syllabus skills, like talking about feelings and reconciling differences (even turning a fraught relationship between two boys into loyal friendship by the end of the year). There’s so much to learn from him and his perpetually wonderstruck kids here.
Tampopo (1985)
While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.
Look Back (2024)
When the world gets dark– when something bad happens that makes you lose your faith in the world around you– it can be hard to think that art would be of any help. After all, a piece of paper with scribbles on it can’t undo the wrong that’s happened, or help out directly with the concrete, solidified systems and solutions to the world’s problems. Look Back even acknowledges the possibility of art harming its creators, but through the friendship forged by Fujino and Kyomoto, it also acknowledges the way art can save you and the people who share that love, through some of the most beautiful animation ever created.
Silenced (2011)
Abuse is bad and should be reported, full stop. But it’s not so easy to do so, when abusers stay in positions of power, and the people who are assigned to keep them in check are cowardly against them. Silenced depicts true crime novel The Crucible, which in turn, is based on a real life case of the Gwangju Inhwa School. Through the perspective of a new art teacher, Silenced systematically outlines how difficult it is to deliver justice, from the way the school administration bribed police and the education department, to the way the court didn’t even think to hire a deaf interpreter. It’s a horrific watch, but the intensity of the depiction was needed, given that this film’s release pushed South Korea’s government to change their laws and the actual school shut down within the same year.
The Salesman (2016)
Echoing Arthur Miller's Death of a Salesmen, Oscar-winning writer-director Asghar Farhadi (A Separation, About Elly) tells the story of a loving middle-class couple who live in Tehran, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), who are forced to move out of their apartment. After arriving at their new place, violence erupts, upending their life and straining their previously happy relationship. Farhadi does what he does best here, delivering simmering tension, complex realism, and unaltered emotion. Originally titled Forushande, every scene of The Salesman is a privileged look for Western viewers into Iran's collective consciousness. And even with all that aside, the film still stands out as an extraordinary drama with a tense plot and outstanding performances across the board. Another incredible addition to Farhadi's first-class filmography.
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After the Storm (2017)
There are many movies by the much-celebrated Japanese auteur director Hirokazu Koreeda on A Good Movie to Watch. Why? Because, like all the movies we showcase here, his work is often little-known, but unbelievably good. After the Storm is no different. Much like his other works, notably Like Father, Like Son, Shoplifters, and Nobody Knows, it deals with the topic of family dynamics, regret, and disappointment. But his movies are never dramatic downers but delicate dioramas, understated in tone. Once a successful writer, Ryota (Hiroshi Abe) is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior until one day, during a storm, they all find themselves trapped in Ryota's childhood home. Subtly touching on notions of inter-generational bond and tension – Koreeda's works are mesmerizing and stick with you long after you've finished watching.
On Body and Soul (2017)
On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival and an Academy Award nominee for Best Foreign Language Film. Is it possible that two people dream the same dream? And meet each other in that same dream? This unique drama directed by Hungarian filmmaker Ildikó Enyedi studies this possibility against the unlikely backdrop of a slaughterhouse. Middle-aged, inconspicuous manager Endre (Géza Morcsányi) can't help but noticing a new girl at work, Maria (Alexandra Borbély), the abattoir's new hygiene manager. They fall in love, but not, as you might suspect, during a fateful mandatory hygiene inspection, but in their dreams—in the shape of two deer in a mysterious, snow-covered forest. The Hungarian director had taken an 18-year break from making movies, which was probably the prerequisite for making something as striking and unconventional as On Body and Soul.
Shoplifters (2018)
The title of this 2018 Palme D'or winner is not to be taken metaphorically: Shoplifters is about a marginalized family of day workers, crooks, and small-time outlaws, who live on the fringes of Japanese society. Osamu (Lily Franky) and Nobuyo (Sakura Andô) both have jobs but spruce up their low-wage income by committing petty crimes. One day in winter, Osamu takes in a bruised girl he finds outside in the cold and introduces her to the family in his ramshackle house. But when the second-youngest member of the family, Shota (Kairi Jyo), finds himself teaching her how to shoplift, he faces a moral dilemma that threatens to unravel the family's fabric. If you were hitherto unfamiliar with the unique storytelling and social realism of Hirokazu Koreeda, we really recommend checking it out—as well as his other movies, namely, Still Walking, Like Father, Like Son, I Wish, and After the Storm. His 2018 outing features the last ever performance of Kirin Kiki, who plays the elderly matriarch and passed away that same year. Like many of Koreeda's works, Shoplifters is an understated, beautiful, and mysterious study of the effects of poverty and trauma and a delicate portrait of a family in Japan's urban underbelly.
The Secret in Their Eyes (2009)
A slow-burning Argentinian thriller about a retired legal counselor and the one case he investigated that just would not die, The Secret in Their Eyes is a taut and sharp mystery. As layers of mystery unfold, the story draws the viewer in and becomes entangled with the deteriorating political situation in Argentina. Notably, the film features a single-take 5 minute shot - a fantastic technical achievement and a testament to the directorial vision and skill.
In the Mood for Love (2000)
Called a masterpiece by many and featured on many best-of-the-21st-century lists, Director Wong Kar-wei has created a thing of singular beauty. Every frame is an artwork (painted, as it were, with help of cinematographer Christopher Doyle) in this meticulously and beautifully crafted film about the unrequited love of two people renting adjacent rooms in 1960s Hong Kong. These two people, played by Tony Leung and Maggie Cheung, struggle to stay true to their values rather than give in to their desires, while they both suspect their spouses of extramarital activities. The flawless acting, stunning visuals, and dream-like beauty of In the Mood for Love perfectly captures the melancholy of repressed emotions and unfulfilled love. The cello motif of Shigeru Umebayashi's main theme will haunt you long after you finished watching.
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