100 Best Foreign Movies on Hoopla Right Now

Updated October 21, 2024 • Staff
Being linked with your library card, Hoopla is better known for its audiobooks. However, avid readers might be surprised that Hoopla provides access to plenty of classic films for free, as long as you have your library card or university log-in. What’s great about Hoopla is that the selection isn’t just limited to Old Hollywood movies– Hoopla also includes plenty of foreign films in their library as well. We’ve previously listed the best movies on their platform, but if you’re looking to watch something outside your comfort zone, here’s the same list, but with foreign films.
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100.

Hive (2021)

It’s been years since Fahrije and the women of her village lost their husbands to the war. It’s one thing to move on after their passing, but quite another to never be sure about their whereabouts, dead or alive. Hive tells the story of how, in the wake of this inexplicable loss, the women of a Kosovo village reluctantly band together and make a new life for themselves and their families.

Thanks to its grit and restraint, Hive avoids the cheesy trappings of a melodrama. The dialogues are straightforward and the performances taut but affecting. Their battle with poverty and misogyny is sadly a familiar tale, but told through the lens of single mother/burgeoning entrepreneur Fahrije, it is rendered deeply personal and illuminating. 

 

Our staff rating: 7/10
Genre: Drama
Actor: Adem Karaga, Adriana Matoshi, Armend Smajli, Astrit Kabashi, Aurita Agushi, Bislim Muçaj, Blerta Ismaili, Çun Lajçi, Ilir Prapashtica, Kaona Sylejmani, Kumrije Hoxha, Labinot Lajçi, Yllka Gashi
Director: Blerta Basholli
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99.

In This Corner of the World (2016)

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. 

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.

Our staff rating: 7/10
Genre: Animation, Drama, Family, History, Romance, War
Actor: Asuka Ohgame, Barbara Goodson, Christine Marie Cabanos, Daishi Kajita, Daisuke Ono, Hisako Kyoda, Kei Tomoe, Kenta Miyake, Kira Buckland, Kohei Kiyasu, Kosuke Sakaki, Manami Sugihira, Manami Tanaka, Mayumi Shintani, Megumi Han, Miki Hase, Minori Omi, Nanase Iwai, Natsuki Inaba, Non, Nozomu Sasaki, Rena Nōnen, Rio Kawakami, Risa Sakurana, Shigeru Ushiyama, Sunao Katabuchi, Tengai Shibuya III, Tomoko Shiota, Tsubasa Miyoshi, Tsuyoshi Koyama, Yoshimasa Hosoya, Yukitomo Tochino, Yuuki Hirose
Director: Sunao Katabuchi
Rating: PG-13
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98.

I Killed My Mother (2009)

Xavier Dolan’s emotionally charged directorial debut centers on the complex relationship between 16-year-old Hubert and his mother, brought to life by Dolan himself and Anne Dorval, respectively. The film paints an authentic and all-too-familiar picture of two people who love each other yet clash in similarly self-centered and stubborn ways.

The mother-and-son duo vacillate between love and hate in a screenplay full of drama. The cinematography, relying much on negative space, perfectly evokes a sense of disconnect and animosity. However, there is little subtlety to be found here, much like Hubert’s sexuality being embodied by a poster of River Phoenix displayed in his bedroom. The rawness and heightened telling of events indicate that this story is as fresh and unpolished as then 19-year-old Dolan’s own feelings about family dysfunction, particularly mommy issues. The heavy-handedness and moments of exaggeration in his quasi-autobiography are obvious, a fault of execution that one can attribute to lack of experience.

Still, the powerful visuals and dialogue hint at a vision of what more to expect in Dolan’s now-celebrated career. I Killed My Mother, by all accounts, fulfills its role as his promising directorial debut.

Our staff rating: 7/10
Genre: Drama
Actor: Anne Dorval, Benoît Gouin, Émile Mailhiot, Francis Ducharme, François Arnaud, Hugolin Chevrette, Johanne-Marie Tremblay, Laurent-Christophe De Ruelle, Manuel Tadros, Marianne Verville, Monique Spaziani, Niels Schneider, Patricia Tulasne, Pierre Chagnon, Suzanne Clément, Xavier Dolan
Director: Xavier Dolan
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97.

Martin Eden (2019)

Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.

Our staff rating: 7/10
Genre: Drama, Romance
Actor: Aniello Arena, Anna Patierno, Autilia Ranieri, Carlo Cecchi, Carmen Pommella, Chiara Francini, Denise Sardisco, Edoardo Sorgente, Elisabetta Valgoi, Franco Pinelli, Gaetano Bruno, Giustiniano Alpi, Jessica Cressy, Lana Vlady, Luca Marinelli, Marco Leonardi, Maurizio Donadoni, Pietro Ragusa, Rinat Khismatouline, Sergio Longobardi, Vincenza Modica, Vincenzo Nemolato
Director: Pietro Marcello
Rating: TV-PG
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96.

The Painting (2011)

Charming and easy to watch, The Painting is a simple morality tale with unique animation. The film is set in an abandoned painting, whose subjects are actually conscious, living beings. They have three distinct social classes: the Toupins (fully painted), Pafinis (lacking some colors), and the Reufs (sketches). Tired of the discrimination and wanting everyone to be fully painted, three of these beings leave the painting in search of the artist. While the lesson is seemingly simple, the film delves into some existential themes and makes them easy to understand for the younger audience. The film celebrates creating one’s self in an absurd world, rather than passively accepting other people’s definitions. But what stands out most about this film are the designs. Inspired by modernist art, director Jean-François Laguionie created colorful and distinct characters whose faces diverge from the usual bug-eyed Disney/Pixar style. If you’re looking for a different animated film, this might be a good start.

Our staff rating: 7/10
Genre: Animation, Drama, Fantasy
Actor: Céline Ronté, Chloé Berthier, Jean Barney, Jean-François Laguionie, Jérémy Prévost, Jessica Monceau, Julien Bouanich, Michel Vigné, Thierry Jahn, Thomas Sagols
Director: Jean-François Laguionie
Rating: TV-PG
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95.

The Legend of Hei (2019)

With a forest home destroyed, leaving an adorable cat spirit child displaced, The Legend of Hei seemed like a Studio Ghibli-esque tale, at least in themes, child protagonist, and fantasy flying. There’s charming moments where Hei appreciates the day-to-day– moments where he diligently learns his powers, enjoys the simple human pleasures present in the modern world, and of course, feels at home in the stunning natural spirit places. However, it’s not quite Ghibli as there are plenty of wuxia-inspired fight scenes, with as many flying kicks involved. That being said, there is a pro-peace message here, that at face value, is probably a good message for children, but this film’s peace comes without clear details about Hei’s displacement, or the general condition of the spirit world at large. The Legend of Hei’s charming animation is lovely, but this push for peace could have been more meaningful if it also considered justice.

Our staff rating: 7/10
Genre: Action, Animation, Fantasy
Actor: Chen Siyu, Ding Dang, Hao Xianghai, Li Lu, Liu Mingyue, Shan Xin, Sheng Feng, Wang Youji, Yang Ning, Yeqiao Yan, Yuntu Cao
Director: MTJJ, Mtjj Mutou
Rating: PG
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94.

XXY (2007)

Some bigots like to equate genitals to one’s gender and sexual orientation, but in practice, it’s not always a straightforward equation, especially for the rare, but natural, occasion when people are born with both male and female sex organs. XXY isn’t the first film to discuss the intersex experience, but it’s one of the first features that managed to be critically acclaimed. Unlike some of its predecessors, XXY is much more grounded, taking place in the modern era, and is mostly centered on Alex’s gender and sexual exploration. The film isn’t a perfect depiction– at the time, intersex wasn’t even the most common term, and sex-reassignment surgery was often the default action– but there is a lot in the film that dared to question certain ideas, such as having to choose only between a binary. Not many intersex films were created after this, in part due to how rare intersex is, and how broad the term encompasses multiple conditions, but XXY stands out all the more because of it.

Our staff rating: 7/10
Genre: Drama
Actor: Ailín Salas, Carolina Peleritti, Carolina Pelleritti, César Troncoso, Germán Palacios, Guillermo Angelelli, Inés Efron, Lucía Puenzo, Lucas Escariz, Lucía Puenzo, Luciano Nóbile, Martín Piroyansky, Ricardo Darín, Valeria Bertuccelli
Director: Lucía Puenzo
Rating: Not Rated
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93.

Goodbye Mother (2019)

In another country, you can forge a completely different life from the one you had in your hometown. For closeted LGBTQ+ individuals, moving to a more tolerant society allows you to explore facets of your sexuality that wasn’t possible previously. In Goodbye Mother, first generation immigrant Nau Van is confronted with the secrets he hid from his hometown, the secret that isn’t a secret in America. The conflict plays out in a familiar fashion, going through plenty of the usual experiences that coming out entails, but, while these are familiar, Goodbye Mother tugs at the reality Asian immigrants experience, and does so in a sweet and empathetic way.

Our staff rating: 7/10
Genre: Drama, Romance
Actor: Hồng Ánh, Hồng Đào, Lãnh Thanh, Lê Thiện, Võ Điền Gia Huy
Director: Trinh Dinh Le Minh
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92.

Girlhood

An electrifying portrayal of a girl growing up in a poor Paris suburb. This coming-of-age story follows Marieme, a girl struggling in high-school who learns that she will be rerouted out of academia and onto a track where she will learn a trade. Frustrated by the news and fearful of an abusive elder brother, she finds solace in a gang of girls from her neighborhood. Initially she decides against joining them but does so at the prospect of pursuing a crush. Her new friends take her into the center of Paris and to a more violent and crime-driven lifestyle. An undeniably grim movie, Girlhood compensates with an amazing character study - themes of identity and adolescent need for belonging are at the center of a type of a story that rarely ever gets any attention.

Our staff rating: 7.1/10
Genre: Drama
Actor: Assa Sylla, Cyril Mendy, Damien Chapelle, Djibril Gueye, Idrissa Diabaté, Idrissa Diabaté, Karidja Touré, Lindsay Karamoh, Marietou Toure, Nassereba Keita, Nina Mélo, Rabah Nait Oufella, Simina Soumaré, Tia Diagne
Director: Céline Sciamma
Rating: Unrated
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91.

We Are the Best! (2013)

We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson's wife Coco's graphic novel "Never Goodnight". Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That's when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.

Our staff rating: 7.1/10
Genre: Comedy, Drama, Music
Actor: Ann-Sofie Rase, David Dencik, Emrik Ekholm, Felix Sandman, Johan Liljemark, Lena Carlsson, Liv LeMoyne, Mira Barkhammar, Mira Grosin, Peter Eriksson, Sofi Ahlström Helleday
Director: Lukas Moodysson
Rating: Not Rated
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