6 Contributions by: Renee Cuisia On Peacock

Staff & contributors

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She’s also seen You’ve Got Mail one too many times but is still convinced it’s one of the greatest films out there.

All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

Genre: Drama, Family

Actor: Alyssa Chia, Chen Yi-wen, Chen Yiwen, Gingle Wang, Guan-Ting Liu, Huang Hsin-Yao, Kuan-Ting Liu, Lee-zen Lee, Liang-Tso Liu, Shao-Huai Chang, Shau-Ching Sung, Tiffany Hsu, Waa Wei, Yang Li-yin, Yi-Wen Chen

Director: Chung Mong-hong

Rating: Not Rated

The Fabella Hospital in the Philippines is clearly overburdened and understaffed, and though it offers some of the lowest pregnancy delivery rates in the country, it remains unaffordable to most of its patients. It has been dubbed the world’s busiest maternity hospital because of this, and its boundless flurry of activity is what Ramona Diaz tries to capture in her cinéma-vérité film Motherland. 

What’s interesting and ultimately heartening about the documentary is that despite the difficulties the subjects face, they are always presented with warmth and humanity. We don’t observe them from a strict or stylized distance, but rather, we move with them when they laugh, befriend each other, worry about their babies, curse their partners, and eventually leave. Indeed, the film is a land of mothers, filled with their authentic stories before anything else.

Genre: Documentary, Drama

Actor: Anna Maxwell Martin, Diane Morgan, Ellie Haddington, Lucy Punch, Paul Ready, Phillipa Dunne

Director: Ramona S. Diaz

Rating: TV-MA

The Witch hardly reinvents the thriller wheel. In fact, part of the fun in watching it is calling out the cliches. Cold-blooded villain? Check. Antihero who defies death? Check. Senseless, bloody killings for minutes on end? Check, check, check. The Witch has everything you'd expect from an action movie, and yet, the viewing experience is all the better for it. 

By trimming all the unnecessary fat and zeroing in on the action, director Park Hoon-jung delivers a no-nonsense, no-holds-barred film that could hold a candle to the John Wick franchise. Like those films, the movements here are sharp and the gore relentless. The only difference is that The Witch is led by a teenage girl—seemingly flimsy but deliciously deranged, Kim-Dami is magnetic in her breakout role as the titular witch Ja-yoon. It's also a bit like Stranger Things in that sense, but comparisons aside, The Witch stands out as a razor-edged entry into the genre. 

Genre: Action, Adventure, Drama, Mystery, Science Fiction, Thriller

Actor: Baek Seung-chul, Cho Min-soo, Choi Jung-woo, Choi Woo-shik, Chung Ye-jin, Da-Eun, Go Min-si, Hyun Bong-sik, Jeong Da-eun, Kim Byeong-Ok, Kim Byung-ok, Kim Da-mi, Kim Ha-na, Ko Min-si, Kwon Tae-won, Lee Ju-won, Lee Ki-young, Lee Si-hoon, Oh Mi-hee, Park Hee-soon, Park Hoon-jung, Seung-chul Baek, Song Hyeong-su, Woo Min-kyu, Woo-sik Choi, Yeo Moo-yeong

Director: Hoon-jung Park, Park Hoon-jung

Rating: Not Rated, R

Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. 

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Asuka Ohgame, Barbara Goodson, Christine Marie Cabanos, Daishi Kajita, Daisuke Ono, Hisako Kyoda, Kei Tomoe, Kenta Miyake, Kira Buckland, Kohei Kiyasu, Kosuke Sakaki, Manami Sugihira, Manami Tanaka, Mayumi Shintani, Megumi Han, Miki Hase, Minori Omi, Nanase Iwai, Natsuki Inaba, Non, Nozomu Sasaki, Rena Nōnen, Rio Kawakami, Risa Sakurana, Shigeru Ushiyama, Sunao Katabuchi, Tengai Shibuya III, Tomoko Shiota, Tsubasa Miyoshi, Tsuyoshi Koyama, Yoshimasa Hosoya, Yukitomo Tochino, Yuuki Hirose

Director: Sunao Katabuchi

Rating: PG-13

, 2021

CODA has all the trappings of a predictable, feel-good family drama. You’ll recognize immediately the talented teen, the family pulling her back, the cute love interest, the do-gooder mentor, and the swirl of coincidences that blend them all together in one sweet story. But CODA is so irresistibly heartfelt, well-acted, and vital (all the deaf characters are actually played by deaf actors), that you can’t help but be won by its charms. 

Aside from its big heart, the film’s decision to express itself mostly through ASL and music is an impressive technical feat as well. Altogether, these elements make for a refreshing, enjoyable, and simply heartwarming watch. 

Genre: Comedy, Drama, Music, Romance

Actor: Amy Forsyth, Armen Garo, Ayana Brown, Bryan Sabbag, Courtland Jones, Daniel Durant, David Newsom, Dominic Andersen, Dominic Cannarella-Andersen, Emilia Faucher, Emilia Jones, Erica McDermott, Eugenio Derbez, Ferdia Walsh-Peelo, Gary Galone, Jason Pugatch, John Fiore, Jose Guns Alves, Kayla Caulfield, Kevin Chapman, Kiara Pichardo, Kyana Fanene, Lance Norris, Lonnie Farmer, Marilyn Busch, Mark Pettograsso, Marlee Matlin, Mary Ann Schaub, Melissa McMeekin, Molly Beth Thomas, Owen Burke, Pamela Jayne Morgan, Rebecca Gibel, Rena Maliszewski, Sarah Clarke, Stone Martin, TJ Ciarametaro, Tony Viveiros, Troy Kotsur

Director: Sian Heder

Rating: R-16