12 Contributions by: Igor Fishman On Kanopy

Staff & contributors

Mr. Lazarescu is a widower living with his cats in a small Bucharest apartment. One night when he begins to feel sick and calls for help, he sets in motion a kafkaesque parade of nurses, doctors, and hospitals as he is ferried through a bureaucratic maze unable to get treatment for his rapidly deteriorating condition. Cristi Puiu’s searing indictment of a failed healthcare system mixes kitchen-sink realism with tinges of gallows humor for a remarkable one-of-a-kind experience.

Beneath its grim demeanor is a clear-eyed portrait of the heart-rending weariness of paramedics and hospital staff that speaks spectacularly to our current mid-pandemic moment of exhausted doctors and overflowing facilities. This focus on the toll of the system on paramedics, in particular, makes this a fantastic pairing with Martin Scorcese’s’ underrated Bringing Out the Dead.

Genre: Comedy, Drama

Actor: Adrian Titieni, Alexandru Potocean, Alina Berzunteanu, Bogdan Dumitrache, Cerasela Iosifescu, Clara Vodă, Cristi Puiu, Dan Chiriac, Dana Dogaru, Dorian Boguta, Doru Ana, Dragos Bucur, Florin Zamfirescu, Gabriel Spahiu, Ioan Fiscuteanu, Ion Fiscuteanu, Luminita Gheorghiu, Mimi Brănescu, Mimi Branescu, Monica Bârlădeanu, Monica Barladeanu, Rodica Lazăr, Șerban Pavlu, Simona Popescu

Director: Cristi Puiu

Rating: R

This bittersweet film about a father and a daughter marks one of the more tender spots in Claire Denis’ brilliant filmography. Frequent collaborator Alex Descas plays Lionel (the father), while Mati Diop, now a director in her own right, plays Josephine (the daughter.) The film captures the two at a crossroads, with their closely-knit relationship tested as Josephine grows closer to her boyfriend, and Lionel must face the possibility of finally letting her go.

A melancholy lingers in the air as we learn more about their lives and the small community of neighbors and coworkers in their orbit. Meanwhile, the film's climax holds a mesmerizing sequence set to the Commodores’ Nightshift, which has to rank as one of the best needle drops in cinema from a director who already has an all-timer under her belt. (see. Beau Travail)

Genre: Drama

Actor: Adèle Ado, Alex Descas, Djédjé Apali, Ériq Ebouaney, Grégoire Colin, Ingrid Caven, Jean-Christophe Folly, Mati Diop, Nicole Dogué

Director: Claire Denis

Rating: Unrated

Wendy (Michelle Williams) is a drifter driving up to Alaska in hopes of finding work. When her car breaks down, she and her dog Lucy are stranded and forced to scrounge for food and repairs, hitting one roadblock after another on her path to an uncertain dream. This sympathetic and solemn look at poverty from director Kelly Reichardt serves as a reminder of how easy it is to fall through the fragile American safety net.   

Reichardt’s uncompromising approach paired with Williams’s restrained performance makes the experience authentic and intense, recalling the work of Ken Loach. This natural sharpness makes for an engrossing watch that builds in power until the emotional release of the film’s heartbreaking conclusion. 

Genre: Drama

Actor: Ayanna Berkshire, David Koppell, Deirdre OConnell, Gabe Nevins, Jeanine Jackson, John Breen, John Robinson, Larry Fessenden, M. Blash, Marilyn Faith Hickey, Michelle Williams, Wally Dalton, Will Oldham, Will Patton

Director: Kelly Reichardt

Rating: R

This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy. 

The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.

Genre: Animation, Drama, Fantasy, Horror

Actor: Amalia Kassai, Natalia Geisse

Director: Cristóbal León, Joaquín Cociña

This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.

Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship. 

As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.

 

Genre: Comedy, Drama, Romance

Actor: Brian Freeman, Camille Paglia, Cheryl Clarke, Cheryl Dunye, David Rakoff, Guinevere Turner, Irene Dunye, Lisa Marie Bronson, Sarah Schulman

Director: Cheryl Dunye

The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.

Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.

Genre: Documentary, Drama

Actor: Bjørn Inge Nordland, Karl-Bertil Nordland

Director: Benjamin Ree

In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.

A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.

Genre: Comedy, Drama, Romance

Actor: Choi Hwa-jeong, Go A-sung, Go Ah-sung, Jae-yeong Jeong, Ju-bong Gi, Jung Jae-young, Ki Joo-bong, Kim Min-hee, Ko A-sung, Ko Asung, Min-hee Kim, Seo Young-hwa, Youn Yuh-jung, Yu Jun-sang, Yuh-jung Youn

Director: Hong Sang-soo, Sang-soo Hong

A man returns to a town chasing the memory of a woman he loved years ago.

Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai. 

He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.

Genre: Drama, Mystery

Actor: Bi Gan, Bi Yanmin, Chen Yongzhong, Chloe Maayan, Duan Chun-hao, Feiyang Luo, Hong-Chi Lee, Huang Jue, Jue Huang, Lee Hong-chi, Ming Dao, Qi Xi, Sylvia Chang, Tang Wei, Tuan Chun-hao, Zeng Meihuizi, 张艾嘉

Director: Bi Gan

Rating: Not Rated

, 2021

Gunda offers an empathetic look at the lives of farm animals with its minimalist approach to the nature doc. Director Victor Kossakosvsky films without a sentimental score or voice-over narration, and shoots in a sparse yet striking black and white. This decision gives the film an intimacy often missing from more traditional modes. 

We watch a sow named Gunda, her piglets, and a few other animals through their daily routines. Long natural sequences allow the viewer to sink into the zen of the animals’ natural rhythms. The result is an astounding and bittersweet film that hints at the brutalities of factory farming without ever stepping foot in a slaughterhouse.

Genre: Documentary, Drama

Director: Viktor Kossakovsky

A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors. 

A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs. 

Genre: Comedy, Drama

Actor: Catherine Keener, Danielle von Zerneck, Dermot Mulroney, Hilary Gilford, James Le Gros, Kevin Corrigan, Lori Tan Chinn, Norman Fields, Peter Dinklage, Rica Martens, Robert Wightman, Steve Buscemi

Director: Tom DiCillo

Rating: R

This stirring peek into the final days of a shuttering Las Vegas dive might be one of the finest odes to American bar culture yet. It also serves as a powerful portrait of a particular moment deep into the disastrous Trump years, yet right before the pandemic struck.

Directors Bill and Turner Ross capture the good, bad, and ugly, allowing conversations to unfold naturally. The colorful hues of the bar create a cinematic canvas for the patrons, who awash with booze and nostalgia, uncertainty, fear, and love, spend their last day together. If there was ever a film for those who miss the rough and tumble nightlife of the pre-Covid world, this is it. 

Genre: Documentary, Drama

Actor: Shay Walker

Director: Bill Ross IV, Turner Ross

A portrait of an Alabama high school wrestling team springboards from a sports documentary into an encompassing exploration of the American working class and institutional racism. The film operates on both levels as it zooms in on the lives of four students and their friendly yet overbearing coach. From the opening moments, Coach Sribner makes it clear that the State Championship is about much more than sport. A failing and underfunded school system all but ensures that a sports scholarship is one of the few chances for these youth to have access to higher education and a path out of poverty. 

This is further exacerbated by the racial dynamics at play, as we watch these mostly Black youth experience casual racism as well as institutional harassment from the police. Even their well-meaning coach is not exempt, he at once can acknowledge his white privilege but is not above baselessly accusing one of the boys of stealing his sunglasses. Herbert’s up close and personal style is immersive and passionate and builds to an exciting sports film climax while maintaining a piercing awareness of the severe economic realities that hollow out any victory on the mat.

Genre: Documentary, Drama

Director: Suzannah Herbert