Many people would rather see happy, positive depictions of people like them, but sometimes, it’s important to see one’s worst sides– the sides that we don’t really like to see, but should have some awareness of, in order to address them. It’s because of this director Lee Tamahori initially thought that adapting the Maori novel Once Were Warriors would end up a flop, but through focusing on Beth Heke and her children, through ensuring that each of them have more screentime rather than only on the parents, Tamahori depicts the alienation the Heke family feels on the fringes, an alienation only healed when they choose to embrace more of their culture. Once Were Warriors isn’t an easy watch, with all the difficulties that the family goes through, but it’s a fiercely intense debut that proved to be one of the best films from New Zealand.
If crime was so easy to turn away, no one would actually join in, in the first place. But sometimes, it’s your friends that loop you into the underground, into risky and dangerous situations that take you away from your families and lovers, even if you know better. Short Sharp Shock is centered around one such friendship between three immigrants, a Turk, a Serb, and a Greek, that depicts a portrait of a German multi-cultural neighborhood that hasn’t been widely seen before this film’s release. It feels very reminiscent of classic American gangster films, albeit with an eclectic mix of languages, sounds, and images, and writer-director Fatih Akin captures his home district with confidence and style.
For the longest time, women dedicated their lives to the family, so after a divorce, and after the kids grow up, it can be hard to imagine what happens after. Some people choose to remain single, but for many women, it can feel like the start of another life totally lived for one’s self. Gloria was then one of the few depictions of a woman at this time, but writer-director Sebastián Lelio depicts this slice of life as is– without over-sentimentality, but with honesty, without pretentiousness, but with a calm and even direction. The slow, naturalistic approach might not be to everyone’s taste, but Gloria is a charming character study, made much more real with Paulina García’s excellent performance.
It’s not easy to turn away from organized crime. On top of having to reckon with what you’ve done, to make reparations towards survivors, you also have to deal with everyone out to kill you. This is a familiar premise, of course, but writer-director Timo Tjahjanto takes it as an excuse to create some of the bloodiest and most action-packed sequences ever created, all stitched together into The Night Comes for Us, a fairly thin, but wildly entertaining martial arts crime thriller. With every skull crushed and blood gallon spurted, Tjahjanto goes nuts with his ever creative, violent spectacles that action fans must watch, if they can stomach the gore.
With today’s capitalistic world, many of us identify ourselves through our jobs, but not many jobs become as personal as that of the actor, the performer, or the artist. As their work revolves around their physical bodies, their expressions, and their personality, it can be hard for some of them to figure out where the line between them and the job is drawn. Being Julia is centered around an aging stage actress, who is clearly talented, but her years in the business transform her, for better or worse. Having to deal with the expectations of what a star is, during the time that was being solidified, her journey is tough, but with the incredible performance of Annette Bening, and the nuance she places in the way Julia can only deal with emotions through the theater, as well as the way she makes her manipulations somewhat of a triumph, is what makes Being Julia a good film.
The concept of a soulmate– the idea that there is someone out there that you’re meant to meet, who’s been made for you to be with, and vice versa– has inspired plenty of romance stories. Dil To Pagal Hai is one such musical centered on the idea. There are some flaws, especially with the love triangle, but the stacked cast, the classic soundtrack, and the elaborate, gorgeous dance numbers are just so enthralling to watch. There’s an interesting thread with the way the two leads’ lives mirror each other even before they meet, as well as the way the film contemplates the decades’ anxieties over crafting the modern woman, which makes Dil To Pagal Hai not perfect, but iconic nonetheless.
Abuse is bad and should be reported, full stop. But it’s not so easy to do so, when abusers stay in positions of power, and the people who are assigned to keep them in check are cowardly against them. Silenced depicts true crime novel The Crucible, which in turn, is based on a real life case of the Gwangju Inhwa School. Through the perspective of a new art teacher, Silenced systematically outlines how difficult it is to deliver justice, from the way the school administration bribed police and the education department, to the way the court didn’t even think to hire a deaf interpreter. It’s a horrific watch, but the intensity of the depiction was needed, given that this film’s release pushed South Korea’s government to change their laws and the actual school shut down within the same year.
As the title suggests, Saturday Night takes place in all of one night, during the very first airing of the titular NBC show. Everyone’s naturally nervous, not least of all Lorne Michaels (Gabriel LaBelle), who runs the entire circus. The suits are keeping eye, the cast clashes egos, no one knows where the lighting director is or if costume change can happen just in time. The guests are unhappy, there are too many sketches, and to top it all off, Lorne’s wife Rosie doesn’t know if she wants to use his last name in the credits. The stakes are high. But are they, really? Saturday Night often feels arrogant and self-important in how it assumes we’d care how things went down that fateful night. Still, it tempers that with a humorous self-awareness, some fine performances, an infectious buzzing energy, and well-timed reminders that SNL is, in fact, that show. It changed the trajectory of comedy in TV, and so that arrogance is earned (though still admittedly annoying at times). And lest you think it’s all laughs and nerves, Saturday Night also harbors some surprising sweet stuff in the center. The film doubles as a love letter to New York City, specifically the NYC of the late 20th century. Though that expression can be overloaded too, it’s endearing and enjoyable nonetheless.
When a student is accused of stealing something as small as a five shilling postal order, it just seems so miniscule that expelling the child, and the child’s family suing the college, can seem all rather ridiculous. And yet, that is exactly what happened in London just before the world war, a nationwide viral case that ended up to be depicted in The Winslow Boy. The mail order may seem small, and the court proceedings do feel sometimes tedious, but The Winslow Boy shines through its performances, the style, and the insistence to stand up for the truth, even when it means going against societal pressures and hierarchies to have truth recognized.